Read The Hellbound Heart and The Great and Secret Show by Clive Barker.
Quickly... I really liked Hellbound Heart, the basis of the Hellraiser movies. Very serious tone to it combined with a lot of character depth, which unforunately TGaSS didn't have as well. The dialogue there become unserious at times, making it all just too light unfortunately. Too often had people going to their potential death while exchanging lighthearted banter. Really enjoyed Hellbound Heart though.
Liked the new Planet of the Apes movie. Liked the CGI facial expressions. Thought it was better acting than what is seen from the vast majority of real actors. Wouldn't mind seeing CGI actors generally replacing most actors. Had lots of "power moments", with Caesar finally speaking, and here and there showing how intelligent he was, sticking it to Malfoy, etc.
(The cigar is half smoked, but obviously not burning anymore, as there isn't any oxygen in outer space. How did it get there? Hmmmm.) Free
Showing posts with label Barker (Clive). Show all posts
Showing posts with label Barker (Clive). Show all posts
Friday, August 19, 2011
Wednesday, July 27, 2011
Firefly Island by Daniel Arenson
Typical sort of fantasy. Girl has super powers that are undeveloped. (the hidden ace up the sleeve.) She's a slave for an ogre.
Started kind of nice but just too light. Stopped reading 70% in. Feel silly for having gone that far.
Drood: A Novel by Dan Simmons
Love the subject matter. Charles Dickens out prowling around through dark parts of London. Also loved Simmons' book The Terror. But the problem here is that no one is likable. Complex characters are one thing, but you've really got to make someone who's actually likable. The main fellow here isn't. And the way he's portraying Dickens makes him also not. Of course his POV may just be wrong. But it's pretty much all we've got to work with.
So I'm not even 25% in (of a long book) and straying away. Straying to a couple biographies of Dickens as I'm curious to see where he got this negative attitude about Dickens. What I've found is gushing in praise. Perhaps Simmons just wanted to be contrary? Also started reading (again) Bleak House.
And have been thinking about why Dickens was a writer and I'm not. Such things as him perhaps having instilled in him a lifelong desire to prove himself? Ever since taken out of school at 12 to work 60 hour weeks in a factory for over a year while money was found to send his sister to a pretigious music academy. That also giving him a direction for his writing.
But then he lived before TV, cars, radio and he lived in London. The world was full of people actually interacting so, so much more and being so much more into books. And he took very closely from his actual life.
Me taking from my actual life would be sad fare indeed. Well 'meagre' would be a better word. And that which I really want to communicate most of all happens to be impossible.
But, told my dad I'm going to start writing his biography. Thinking I need to write based on actual life, and so I want him to just relate stories from his life. Absolutely NO outline. Nothing chronological. Done like Twain did.
Also looking at a biography of Clive Barker. Too soon to know what to think other than wanting to download some books that Barker really liked. Also seeing how from a young age he was constantly making stories and I wasn't.
Typical sort of fantasy. Girl has super powers that are undeveloped. (the hidden ace up the sleeve.) She's a slave for an ogre.
Started kind of nice but just too light. Stopped reading 70% in. Feel silly for having gone that far.
Drood: A Novel by Dan Simmons
Love the subject matter. Charles Dickens out prowling around through dark parts of London. Also loved Simmons' book The Terror. But the problem here is that no one is likable. Complex characters are one thing, but you've really got to make someone who's actually likable. The main fellow here isn't. And the way he's portraying Dickens makes him also not. Of course his POV may just be wrong. But it's pretty much all we've got to work with.
So I'm not even 25% in (of a long book) and straying away. Straying to a couple biographies of Dickens as I'm curious to see where he got this negative attitude about Dickens. What I've found is gushing in praise. Perhaps Simmons just wanted to be contrary? Also started reading (again) Bleak House.
And have been thinking about why Dickens was a writer and I'm not. Such things as him perhaps having instilled in him a lifelong desire to prove himself? Ever since taken out of school at 12 to work 60 hour weeks in a factory for over a year while money was found to send his sister to a pretigious music academy. That also giving him a direction for his writing.
But then he lived before TV, cars, radio and he lived in London. The world was full of people actually interacting so, so much more and being so much more into books. And he took very closely from his actual life.
Me taking from my actual life would be sad fare indeed. Well 'meagre' would be a better word. And that which I really want to communicate most of all happens to be impossible.
But, told my dad I'm going to start writing his biography. Thinking I need to write based on actual life, and so I want him to just relate stories from his life. Absolutely NO outline. Nothing chronological. Done like Twain did.
Also looking at a biography of Clive Barker. Too soon to know what to think other than wanting to download some books that Barker really liked. Also seeing how from a young age he was constantly making stories and I wasn't.
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